Outlaw Poets is an inclusive electronic publication produced by Studio Appalachia and features poetry and art by the Outlaw Poets Group. Contact studioappal@gmail.com for more information.
Wednesday, August 20, 2025
When I Feel:Wordplay:H-DOT
Tuesday, July 1, 2025
Here I sit
Thursday, June 19, 2025
The Arrow’s Paradox Or Hitting the Mark
The Barn Swallows fly
across my porch, before
my kitchen door
and I catch the curve
of their flight trying
to recall if I’ve seen
one fly in a straight line,
think not. If the shortest
distance between two
points is a straight line,
what about the curve
of a hip, the slant
of a shoulder, rounded
breasts¸ asymmetrical lips,
the crooked smile
that leads to heart and
soul? The flow of words
that make the riverbeds
of love? The Barn Swallows
fly across my porch;
they make sure I notice.
-Byron Hoot
https://www.facebook.com/hootnhowlpoetry/
Hootism: knowing when to end a piece of writing takes care of knowing how to end it. When isn’t this true?
Wednesday, June 4, 2025
the ivory mask
Thursday, May 29, 2025
Reconciling
The dream felt memorable.
Then I awoke and it was gone.
I thought how in hunting the moment
has to be just right to make the shot
and thought of dreams and memories
being caught, one so like the other,
holding meaning. If I could
swear in sleep, I would have sworn
I was going to catch the dream when
I awoke. It was gone and what remained
was that sense of loss, like a kiss not taken,
a caress not felt, a word not spoken
and the lingering regret throughout the day
of “what if?” as a postscript to every moment.
I took small comfort in the faithfulness
of the trees and grass and horses
in the pasture, the wind, the sky,
the clouded sunlight saying,
“You do not need to remember us,
we are here.” Could not reconcile
the sense of loss to what was freely given.
-Byron Hoot
Cave Graffiti
Cave man didn't know what he was doing
As his hand sculpted frantic on wet wall,
Stopped, stepped back to view his stone-crafted vision,
Then proceeded through some shallow shadowed hall.
How ironic that a dark dank ancient museum
Should impart art that in earnest is least.
How ironic that the boorish, unknown artist
Should be man with hand and mind of brutish beast.
Cave man didn't know what he was doing
As he labored to a dazzling drafty flame,
Then darted to display for few friendly others
To preview, then proclaim by clan acclaim.
How ironic that a dark dank ancient museum
Should be understood by mere meager men as these.
How ironic to learn literacy's lost, first artist
Should be man that can neither write nor read.
And what future race may find Picasso dangling,
Suspended on some dreary dying wall,
Only to study for years yet never quite reveal
The intended significance of it all?
~ P.S. Colley
Fall 1974
Friday, May 16, 2025
Too Close Is Too Close Or The Raven By The Side of The Road
The raven was perched on a guardrail
on the side of a road
looking down a hill
as if remembering there
was a tree once where
there were branches
its talons once clasped.
. . . and then it was the next day and I was going
to Pittsburgh to my daughter’s and the day after
we were going to drive to Morgantown,
my hometown, born and bred – another
two hours away – her, for an appointment,
me for my birth certificate so I could get
a gold star on my driver’s license,
to protect me from what I didn’t know
but felt the sliver of fear added to the growing
despair of, “What-the-fuck-is-happening here?”
and so we left at eight in the morning on a road
I knew to a place I knew and memories started
to stir mile after mile something was recalled.
But the speed and distance kept things in perspective
and now never stumbled into then.
Though a couple times it was close
as I sighed deeply as though memories
were just being made but a cough
or something in my eye kept me from crossing
that border.
we ate at a place, Estab. 2006,
which was a far cry from 1956 when I can say
for certain, “I remember when” before
that uncertainty of then and now gets confused
and how I got to be so old when yesterday
was only a day away.
That raven clasping the guardrail,
looking down the hill as if yesterday and today
don’t know the difference between them.
It didn’t move as I went by.
-Byron Hoot
https://www.facebook.com/hootnhowlpoetry/
Ghosts
I see ghosts in the fall I don’t see at any other times of the year. The gone and desires and longings appear so real I call them by name,...
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The Barn Swallows fly across my porch, before my kitchen door and I catch the curve of their flight trying to recall if I’ve seen one fly ...
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I can explain the hesitation, the distance between intention and completion by one word – Parkinson’s. I don’t know if there is any blame...
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The dream felt memorable. Then I awoke and it was gone. I thought how in hunting the moment has to be just right to make the shot and...