When I was a kid, The Old Rugged Cross
was the hymn that did it for me:
On a hill far away stood an old rugged cross
The emblem of suffering and shame
And I love that old cross where the dearest and best
For a world of lost sinners was slain.
I didn’t know what it meant but something heroic
was at work, something about relinquishing
what one thinks one has gained only to find
such gains bullshit. Only to find betrayal through
passion leads to compassion through resurrection
far beyond following church rules which are rules
like Cub Scouts follow to get merit badges.
Early on I claimed this blues hymn as mine
and later shook it free from meanings it could
not hold, the Frankenstein of doctrine its words
declined to obey. That obstinate clinging to language
served me well, still does. And I hum this hymn
from time to time as if I am the one on the cross
reciting the Psalm, “My God, why have you forsaken me?”
the prelude to every rebirth I’ve ever known.
Outlaw Poets is an inclusive electronic publication produced by Studio Appalachia and features poetry and art by the Outlaw Poets Group. Contact studioappal@gmail.com for more information.
Wednesday, October 25, 2023
That Blues Hymn
Sunday, October 1, 2023
Lauds
It is Sunday and I feel the futility
of prayer in the air and the urge
to pray as if each holds a danger.
I think of the infant Hercules
strangling the snakes, one in each hand.
How dangerous is that futility and urge.
It is Sunday and the shadow of wings
has passed over my yard in this grey
morning, some breeze stirred that came
through my door, touched my face,
some whispered words out of a whirlwind,
“The bet’s on.” Hear, “The world makes
promises it breaks and we make them whole.”
The morning holds a light snow near the Ides of March,
I can only understand, “Et tu. . ?” look at the pieces
to put back together. It is Sunday, the Sabbath,
a holy day and I have no prayer I trust.
-Byron Hoot
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